Ah qual gelido orror!...il padre adorato (Idamante)
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Mozart (W.A.): Idomeneo, K. 366
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Act 1, Scene X (Recitative and Aria (F Major)
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Ed. Braunschweig-Litollf PD (it.*)
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Ah, se fosse intorno al trono (Tito)
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Mozart (W.A): La clemenza di Tito, K. 621
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Act 1, Scene VI: Aria (D Major)
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Ed.Peters (1870) PD (it.*)
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Ah! Io veggio quell'anima (Ferrando)
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Mozart (W.A): Cosi fan tutte, K.588
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Act 2, Scene VI: Aria (B Flat Major)
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Ed. U.E Wien /H. Levi (1904) PD (it.*)
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Accompaniment
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Accompaniment slower |
Alles fühlt der Liebe Freuden (Monostatos)
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Mozart (W.A): The magic flute, K.620
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Act 2, Scene VII: Aria (key?)
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Ed. U.E Wien, 245, PD (Germ;*)
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Accompaniment
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Accompaniment slower
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Come ma creder deggio...Dalla sua pace (Don Ottavio)
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Mozart (W.A): Don Giovanni, K. 527
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Act 1, Scene XIV: Recitative (C Major) and Aria (G Major)
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Ed. Schirmer (1900) PD (it-engl.)
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Constanze! Constanze!...O wie ängstlich, o wie feurig (Belmonte)
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Mozart (W.A): Die entführung aus dem serail, K.384
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Act 1,Scene V: Recitative and Aria (A Major
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Ed.Peters/G.F. Kogel (1881)PD (germ.*)
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Dalla sua pace (Don Ottavio)
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Mozart (W.A): Don Giovanni, K. 527
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Act 1, Scene XIV: Aria (G Major)
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Ed. Schirmer (1900) PD (it-engl.)
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Das klinget so herrlich, das klinget so schön! (Monostatos & Choir)
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Mozart (W.A): The magic flute, K.620
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Act 1, Scene XVII: Aria with Choir (G Major)
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Ed. U.E Wien, 245, PD (Germ;*)
|
Accompaniment
|
Accompaniment slower
|
Del piu sublime soglio (Tito)
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Mozart (W.A): La clemenza di Tito, K. 621
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Act 1,Scene IV: Aria (G Major)
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Ed.Peters (1870) PD (it.*)
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Dies Bildnis is bezaubernd schön (Tamino)
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Mozart (W.A): The magic flute, K.620
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Act 1, Scene IV: Aria (E Flat Major)
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Ed. U.E Wien, 245, PD (Germ.*):
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Frisch zum kämpfe! frisch zum Streite! (Pedrillo)
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Mozart (W.A): Die entführung aus dem serail, K.384
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Act 2,Scene VII: Aria (D Major)
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Ed.Peters/G.F. Kogel (1881)PD (germ.*)
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Fuor del mar hò un marin seno (Idomeneo):
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Mozart (W.A): Idomeneo, K. 366
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Act 2: Scene III, Aria (D Major) with recitative
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Ed. Braunschweig-Litollf PD (it.*)
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Hier soll ich Dich denn sehen, Constanze (Belmonte):
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Mozart (W.A): Die entführung aus dem serail, K.384
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Act 1, Scene I: Aria (C Major)
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Ed.Peters/G.F. Kogel (1881)PD: (germ.*)
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Ich baue ganz auf deine Starke (Belmonte):
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Mozart (W.A): Die entführung aus dem serail, K.384
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Act 3, Scene III: Aria (E Flat Major)
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Ed.Peters/G.F. Kogel (1881)PD (germ.*)
|
Accompaniment
|
Accompaniment slower
|
Il mio tesoro intanto (Don Ottavio
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Mozart (W.A): Don Giovanni, K. 527
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Act 2, Scene X: Aria (B Flat Major)
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Ed. Schirmer (1900) PD (it-engl.)
|
Accompaniment
|
Accompaniment slower
|
Il Padre adorato (Idamante)
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Mozart (W.A): Idomeneo, K. 366
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Act 1, Scene X: Aria (F Major) (recitative included)
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Ed. Braunschweig-Litollf PD (it .*)
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|
Im mohrenland gefangen war (Pedrillo):
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Mozart (W.A): Die entführung aus dem serail, K.384
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Act 3, Scene IV: Aria (Romanze: D Major)
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Ed.Peters/G.F. Kogel (1881)PD (germ.*)
|
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In qual fiero contrasto...Tradito, schernito (Ferrando):
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Mozart (W.A): Cosi fan tutte, K.588
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Act 2, Sc. IX,: Recitative (E Flat Major) and Aria (Cavatina: C Major)
|
Ed. U.E Wien /H. Levi (1904) PD (it.*)
|
Accompaniment
|
Accompaniment slower
|
In quegli anni in cui val poco (Basilio):
|
Mozart (W.A): Le nozze di Figaro K.492
|
Act 4, Scene VII: Aria (B Flat Major)
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Ed. Ricordi (1865) PD (it.) |
Accompaniment |
Accompaniment slower |
Ed. U.E Wien (Brüll) (1901) PD (it.*)
|
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|
Non ho colpa, e mi condanni? (Idamante)
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Mozart (W.A): Idomeneo, K. 366
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Act.1, Scene II: Aria (B Flat Major)
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Ed. Braunschweig-Litollf PD (it.*)
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|
O wie ängstlich, o wie feurig (Belmonte):
|
Mozart (W.A): Die entführung aus dem serail, K.384
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Act 1,Scene V: Aria (A Major)
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Ed.Peters/G.F. Kogel (1881)PD (germ.*)
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Popoli! A voi l'ultima legge...Torna la pace (Idomeneo)
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Mozart (W.A): Idomeneo, K. 366
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Act 3, Last Scene: Recitative (E Flat Major) and Aria (B flat Major)
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Ed. Braunschweig-Litollf PD (it .*)
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Qual mi conturbai sensi...Fuor del mar hò un marin seno (Idomeneo)
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Mozart (W.A): Idomeneo, K. 366
|
Act 2, Scene III: Recitative and Aria (D Major)
|
Ed. Braunschweig-Litollf PD (it .*)
|
|
|
Se all' impero, amici Dei!-Se la fede regni miei (Tito)
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Mozart (W.A): La clemenza di Tito, K. 621
|
Act 2, Scene XI: Aria (B Flat Major)
|
Ed.Peters (1870) PD (it.*)
|
Accompaniment |
Accompaniment slower
|
Se colà nè fatti è scritto (Arbace)
|
Mozart (W.A): Idomeneo, K. 366
|
Act 3, Scene V: Aria (A Major) with recitative
|
Ed. Braunschweig-Litollf PD (it.*)
|
|
|
Se il tuo duol, se il mio desio (Arbace)
|
Mozart (W.A): Idomeneo, K. 366
|
Act. 2, Scene I: Aria (C Major)
|
Ed. Braunschweig-Litollf PD (it .*)
|
Accompaniment
|
Accompaniment slower
|
Sventurata Sidon!...Se co là nè fatti è scritto (Arbace):
|
Mozart (W.A): Idomeneo, K. 366
|
Act 3,Scene V: Recitative (E Major) and Aria (A Major)
|
Ed. Braunschweig-Litollf PD (it.*)
|
|
|
Torna la pace al core (Idomeneo)
|
Mozart (W.A): Idomeneo, K. 366
|
Act 3, Last Scene: Aria (B flat Major) with recitative
|
Ed. Braunschweig-Litollf PD (it.*)
|
|
|
Tradito, schernito (Ferrando):
|
Mozart (W.A): Cosi fan tutte, K.588
|
Act 2, Sc. IX: Aria (Cavatina: C Major)
|
Ed. U.E Wien /H. Levi (1904) PD (it.*)
|
Accompaniment
|
Accompaniment slower
|
Un aura amorosa (Ferrando):
|
Mozart (W.A): Cosi fan tutte, K.588
|
Act 1, Scene XII: Aria (key ?)
|
Ed. U.E Wien /H. Levi (1904) PD (it.*)
|
Accompaniment
|
Accompaniment slower
|
Vedrommi intorno l'ombra dolente (Idomeneo)
|
Mozart (W.A): Idomeneo, K. 366
|
Act 1, Scene IX: Aria (C Major)
|
Ed. Braunschweig-Litollf PD (it .*)
|
|
|
Wenn der Freude tränen fliessen-ha!dieses selige wieder finden!(Belmonte)
|
Mozart (W.A): Die entführung aus dem serail, K.384
|
Act 2, Scene IX: Aria (B Flat Major)
|
Ed.Peters/G.F. Kogel (1881)PD (it.*)
|
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|
Wie stark ist nicht dein Zauberton (Tamino):
|
Mozart (W.A): Die zauberflöte/The magic flute, K.620
|
Act 1, Scene XV: Aria (C Major
|
Ed. U.E Wien (1901)(germ.*):
|
Accompaniment
|
Accompaniment slower
|
Zu Hilfe! Zu Hilfe! (Tamino)
|
Mozart (W.A): Die zauberflöte/The magic flute, K.620
|
Act 1, Introduction: Aria (C Minor)
|
Ed. U.E Wien (1901)(germ.*):
|
Accompaniment
|
Accompaniment slower
|
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|
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